徐孟东，作曲家，音乐理论家，作曲与作曲技术理论专业博士。上海领军人才，享政府特贴。现任上海音乐学院作曲系教授，博士生导师；中国音协理事兼音教委副主任，上海音协副主席兼创委会主任。原任上海音乐学院常务副院长。创作发表有管弦乐、室内乐和音乐戏剧作品30余部，它们在国内外各种重大音乐节和活动中演出影响广泛，获得全国音乐作品评奖一等文华大奖、全国文化艺术创新奖等国内外重大比赛奖项。同时曾多次担任国内外一些重大音乐作品比赛评委。
撰写出版有专著1部，文集1部；在核心期刊发表有学术论文30余篇40多万字；教学成果显著，学生有十余人次获数十项国际国内重大作曲比赛奖。
鉴于他在音乐创作、研究和教学中的突出成就，曾获得全国优秀教学成果二等奖和上海市优秀教学成果一等奖、文化部区永熙音乐教育奖、上海文艺人才最高奖、上海文艺创作精品奖优品奖等；并7次获得贺绿汀基金奖10项。
Xu Mengdong, composer, music theorist, P.H.D of composition and music theory. As a leading figure in Shanghai music scene, he enjoys the government subsidies for outstanding artists and currently served as a professor of composition, and a doctoral advisor at the Shanghai Conservatory of Music. He also holds multiple positions as the council member of the Chinese Musicians' Association, the deputy director of the Music Education Commission, the vice chairman of the Shanghai Musicians' Association, and the director of the Music Creation Committee. And he had worked as the former executive vice president of the Shanghai Conservatory of Music. As a composer, he has composed and published more than 30 works for orchestral, chamber music, and music opera, which are widely accepted and applauded in a variety of major international and domestic music festivals and activities. He is also the winner of the First Wenhua Prize of National Music Awards, the National Culture and Art Innovation Award, and many other major domestic and international competition awards， while he served as the judge of many crucial international and domestic music competitions.
As a scholar, he has published one monograph, one collection of articles, and more than 30 academic articles of more than 0.4 million words in the core journals. While his teaching achievement is also remarkable for more than 10 of his students have achieved dozens of major composition awards internationally and domestically.
In view of his outstanding achievements in composition, research and teaching, he has been granted several significant prize including the second prize of National Excellent Teaching Achievement Award, the first prize of Shanghai Excellent Teaching Achievement Award, Yongxi Music Education Award of Ministry of Culture, the highest prize of Shanghai Literature and Art Talent Award, Shanghai Literature and Art Creation Award, and etc. And he has received 10 awards of Lvting He Funding Award for seven times.
中国复调音乐理论的形成、发展与思考
The Formation, Development and Reflection of Chinese Polyphonic Music Theory
[内容提要]20世纪初随着中国新音乐的诞生，西方复调音乐理论开始较为系统地介绍引进到中国，对中国专业音乐创作、教学和研究等均产生了深远影响。在20-70年代末半个多世纪里，虽然也有专家学者进行了有关探索，但中国复调音乐理论主要处于学习吸收借鉴西方包括苏俄复调音乐理论的阶段。而在改革开放后的近三十多年(本文将其再划分为二个阶段)特别是进入新的世纪的十余年间，经过不懈努力和艰难求索，中国复调音乐理论终于开始初步形成。其标志就是这一领域大量的具有独立意义的学术成果——包括数十部专著与教材，和几百篇论域广阔、内容丰富、分析研究深入的专题论文。当然尽管如此，中国复调音乐理论的初步形成和今后的发展，仍存在一些问题值得令人思考。
Abstract: With the birth of Chinese new music in the earlier period of 20th century, Western polyphonic music theory（about counterpoint and fugue) has begun to be introduced to China systematically and has generated a profound impact on the creation, teaching and research of Chinese professional music. Even though some experts had explored certain topics from 1920s to 1970s, the Chinese polyphonic music theory was mainly in the stage of learning or absorbing polyphonic music theory from the West, including the Soviet Union. In the past three decades after the reform and opening up (The two stages is marked in this article), especially is near twenty years of the new century, China polyphonic music theory has finally begun to establish through unremitting efforts and constant struggling, marked by a large number of independent academic achievements in this field, including dozens of monographs and teaching materials, and hundreds of treaties with broad themes, rich contents and deep analysis. In spite of that, the initial formation of Chinese polyphonic music theory and its future development face some problems worthy of reflection.
