钱仁平，作曲理论博士，上海音乐学院教授、博士研究生导师，上海高校“中国当代音乐创作研究与传播”学科团队首席教授。上海音乐学院科研处处长、贺绿汀中国音乐高等研究院秘书长、《上海音乐学院志》编委会办公室主任、《中国新音乐年鉴》主编。中国音乐家协会电子音乐学会副会长、音乐分析学会理事、音乐评论学会理事。《音乐艺术》《人民音乐》编委。主要从事音乐理论、中国当代音乐、音乐文献学等方面的教学与研究。著有《中国新音乐》《海上听乐记》《倾听@歌唱》《1/4音作曲技法研究》等。主持或参与国家级与省部级艺术科创课题多项。创作作品主要有Interaction（2003）、e-Sonata（2006）、Passacaglia（2007）等室内乐，以及为女高音与管弦乐队而作的Bridge（2007-2011）等。 曾任武汉音乐学院作曲系主任（2005-2008年）、上海音乐学院图书馆馆长（2008-2014年）。
Renping Qian, doctor of composition theory, he holds professor at Shanghai Conservatory of Music(SHCM), doctorial supervisor, chief professor of China contemporary music creation research and dissemination in SHCM. He also holds the position as Director of Research Department of SHCM, Secretary-General of He Luding Advanced Research Institute for Chinese Music, SHCM, Director of Editorial Office of Shanghai Conservatory of Music Annuals and Chief Editor of year book New Music in China. He is also the Vice President of Association of Electronic Music in Chinese Musicians Association and member of Music Analysis Association and Music Criticism Association. He is editorial board member of The Art of Music and People’s Music. He devotes himself to the teaching and research of music theory, contemporary Chinese music, musical literature and so on. He has published several books, such as China’s New Music, Listen to Music at Sea, Listen @ Singing, Research on the Technique of 1/4 - tone Composing. He has been in charge of or participated in several national or provincial art innovation projects. His composition works include chamber music, such as Interaction（2003）,e-Sonata（2006）,Passacaglia（2007）and Bridge（2007-2011）which is created for soprano and orchestra. He used to be Head of Composition Department at Wuhan Conservatory of Music (2005-2008) and Head Librarian of SHCM（2008-2014）.
《风的回声》：音色运动及其结构功能
Echoes of the Wind: the movement of timbre and its structural function
文章在对刘健（1954-2012）作曲的《风的回声》（2001）进行全面分析的基础上，归纳作品主要通过四种演奏法所分别形成的音色旋律线及其织体，在空间中的传递、渗透、扩散与分层，形成音色运动，实现结构功能。
Based on the comprehensive analysis of " Echoes of the Wind" (2001) made by Liu Jian (1954-2012), the author summarizes the transmission, penetration, diffusion and stratification of the vocal melody lines and their weaves mainly formed by four kinds of playing technique, to analyze the movement of timbre and its structural function.
